Shaping Nature

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A pair of hands molds earthen clay as it spins around a pottery wheel—carefully guiding the creation of a new vase.

Shaping Nature explores the relationship between function, nature, and artistry in the work of Buffalo-based potter, Junko McGee, who moved from Tokyo to Buffalo in 1987.

In 1995, Junko learned pottery in Western New York after enrolling in pottery classes at the University at Buffalo Creative Craft Center. Her deep connection to the region over the years has included creating raku ware for the local Japanese community’s tea ceremonies, teaching in the Buffalo school district, and participating exclusively in area art festivals.

Junko’s work blends influences from both American and Japanese pottery, encompassing nerikomi agateware, traditional motifs like the seigaiha wave, and more. Her passion for experimentation focuses on discovering new techniques, forms, and textures that encourage the sensory exploration of each piece.

Nature provides both material and inspiration: from the clay used to the leaves imprinted to the changing of seasons. The infusion of color into Junko’s pottery through glazes or the use of colored clay emphasize the earth tones and organic patterns in her work.

A “people-friendly” approach guides each and every one of her creations—a core design idea that reflects the warmth and human connection, between maker and user.

Details

Fri, Jun 2 • All Day

Castellani Art Museum • Niagara University Campus, Niagara University 14109

Niagara County

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Description

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A pair of hands molds earthen clay as it spins around a pottery wheel—carefully guiding the creation of a new vase. Shaping Nature explores the relationship between function, nature, and artistry in the work of Buffalo-based potter, Junko McGee, who moved from Tokyo to Buffalo in 1987. In 1995, Junko learned pottery in Western New York after enrolling in pottery classes at the University at Buffalo Creative Craft Center. Her deep connection to the region over the years has included creating raku ware for the local Japanese community’s tea ceremonies, teaching in the Buffalo school district, and participating exclusively in area art festivals. Junko’s work blends influences from both American and Japanese pottery, encompassing nerikomi agateware, traditional motifs like the seigaiha wave, and more. Her passion for experimentation focuses on discovering new techniques, forms, and textures that encourage the sensory exploration of each piece. Nature provides both material and inspiration: from the clay used to the leaves imprinted to the changing of seasons. The infusion of color into Junko’s pottery through glazes or the use of colored clay emphasize the earth tones and organic patterns in her work. A “people-friendly” approach guides each and every one of her creations—a core design idea that reflects the warmth and human connection, between maker and user.

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