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Five years have passed since Case’s last solo project, The Worse Things Get, the Harder I Fight, the Harder I Fight, the More I Love You. In the interim, she sang on Whiteout Conditions, the 2017 release from longtime bandmates the New Pornographers. The year before that, she released a vinyl box set of her solo work and joined k.d. Lang and Laura Veirs on the case/lang/veirs project.
Recording that record was a revelation, from Veirs’ innovative guitar tunings to Lang’s skills in studio. “I learned so much experiencing the work ethic of those two,” Case says. She considers Lang “probably the most natural producer I’ve ever seen. Watching her work was awe-inspiring.” After their national tour together, Case found similar transcendence in October 2016 sitting on a panel at the first-of-its-kind “Woman Producer” summit in Brooklyn, NY. Between discussions and performances from a diverse group of women who produce music from around the world, she wondered how it had taken such a long time to get to that moment, and why so many female pioneers had been forgotten.
She set to work on her next record looking for not just new stories but also new sounds. This time, she wanted to put herself in a setting far away from everything she knew. She recalled Björn Yttling’s skill with Lykke Li, Camera Obscura, and his own band, Peter Bjorn and John. “I’ve worked with the same people so long, I never had to step outside my comfort zone,” Case says. “In this instance, I chose to.”
The record that came out of this reckoning with lost stories delivers both familiar Neko Case and something different. Death, extinction, exploitation, tides, animals, and adoration all blend recognizably. Case’s trademark narrative gaps, just large enough for listeners to enter each song, likewise remain.
A force of nature, an act of a mercurial, forgotten god, Hell-On is a record sealed by fire, filled with love and rage and dangers that might lay waste to everything at any moment. So if you wake up dazed in a smoking landscape, walking through the detritus of your own lost civilization with the smell of ash in your hair, your favorite sweater gone and a new song in your head, don’t say you weren’t warned.
Thao & The Get Down Stay Down-the San Francisco-based band fronted by singer and songwriter Thao Nguyen-releases their fourth album, A Man Alive, on March 4, 2016. Following the critical success of We The Common (2013), which was largely inspired by Thao’s volunteer work with the California Coalition for Women’s Prisoners, A Man Alive is an evolution in both subject matter and sound. Thao says: “I wanted A Man Alive to be beat- and bass-driven-rather than guitar-based-extending and elaborating upon the hip-hop influences of the previous record. A Man Alive is more instrumental, more riff- and loop-centric, and has more manipulated sounds.” The Get Down Stay Down are at their best on this record, and Thao herself experimented with programming drumbeats for several tracks, although live drums are also played on every song.