SPAMALOT by Eric Idle and John Du Prez Directed and Choreographed Read more [...]
How do contemporary artists use photography to engage with Italian architecture of the Fascist era? What lures them today
into the remains of this “Rationalist” style? Where is the tipping point between a self-proclaimed critical observation and
complicity with Mussolini’s propaganda project of the 1920s-1940s? These and other questions occupy the minds of the seven
artists in this exhibition. This is the first to showcase these mostly German photographers, independently all drawn to Italian
Rationalist architecture and urban spaces. Caterina Borelli, Johanna Diehl, Günther Förg, Eiko Grimberg, Thomas Ruff,
Hans-Christian Schink, and Heidi Specker represent themes that vary in style between street photography and lush interiors
to synthetic architectural documentation and carefully pre-planned and measured urban scenes. Their use of media ranges
from analog to digital processes, black-and-white to color imagery, and a variety of works made in series. Each artist engages
these built environments with his/her own visual language, demonstrating photography’s intense involvement with aesthetic
and conceptual trends in contemporary art of the last three decades.
Photographic Recall is curated by Miriam Paeslack, Associate Professor in the department of Media Study and is organized
by UB Art Galleries. The exhibition is generously support by the University at Buffalo’s College of Arts and Sciences – Buffalo
Philharmonic Orchestra Kurt Weill Collaboration Project. Generous funding has further been provided by the German Institute
for Foreign Affairs (IFA), and by the German Consulate.
The exhibition will be on view until May 12, 2019.